Sera Monastery of Lhasa

DSC_0977DSC_1005Sera Monastery (Tibetan: སེ་ར་དགོན་པ, Wylie: se ra dgon pa “Wild Roses Monastery”; Chinese: 色拉寺; pinyin: Sèlā Sì) is one of the “great three” Gelug university monasteries of Tibet, located 1.25 miles (2.01 km) north of Lhasa and about 5 kilometres (3.1 mi) north of the Jokhang



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Stunning Mandala‘s made out of coloured powder.

Mandala (Sanskritमण्डल Maṇḍala, ‘circle’) is a spiritual and ritual symbol in Hinduism and Buddhism, representing the Universe.[1] The basic form of most mandalas is a square with four gates containing a circle with a center point. Each gate is in the general shape of a T.[2][3] Mandalas often exhibit radial balance.[4]

The term is of Sanskrit origin. It appears in the Rig Veda as the name of the sections of the work, but is also used in other religions and philosophies, particularly Buddhism.

In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space, and as an aid to meditation and trance induction.

In common use, mandala has become a generic term for any diagram, chart or geometric pattern that represents the cosmos metaphysically or symbolically; a microcosm of the universe.



Debates are punctuated with vigorous gestures which enliven the ambience of the occasion. Each gesture has a meaning. The debater presents his case with subtlety, robed in a formal monk’s attire. Some of the gestures (said to have symbolic value), made during the debates, generally subtle dramatic gestures are: clapping after each question; holding right hand and stretching left hand forward and striking the left palm with the right palm; clapping hands loudly to stress the power and decisiveness of the defender’s arguments denoting his self-assurance; in case of wrong answer presented by the defender, the opponent gestures three circles with his hand around the defenders head followed by loud screaming to unnerve the defender; opponent’s mistake is demonstrated by wrapping his upper robe around his waist; loud clapping and intense verbal exchange is common; and the approach is to trap the defender into a wrong line of argument. Each time a new question is asked, the teacher strikes his outstretched left palm with his right palm. When a question is answered correctly, it is acknowledged by the teacher bringing the back of his right hand to his left palm. When the defender wins the debate he makes an allegorical dig at the questioner by questioning his basic wisdom as a Buddhist.[45]



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Theses are a few videos clips of the debates:

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